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歡迎來(lái)到《狂野街頭》的在線(xiàn)播放頁(yè)面！這部恐怖片作品由Barry,Shear執(zhí)導(dǎo)，攜手謝利·溫特斯,克里斯托弗·瓊斯,黛安·瓦西,米莉·佩金斯等實(shí)力陣容傾情演繹，于1968年帶給觀(guān)眾別具一格的視聽(tīng)感受。如今，你可以在此一鍵開(kāi)啟精彩之旅。
關(guān)于本片更完整的劇情或幕后信息，可前往“詳情介紹”頁(yè)面查看Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007 Author TimothyFarrell from Worcester, MA Wild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire. The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610) -from imdb，深入了解角色命運(yùn)及創(chuàng)作歷程。
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