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《第七日，第八夜》劇情介紹
由埃瓦爾德·朔爾姆執(zhí)導(dǎo)、匯聚揚(yáng)·利比切克,瓦茨拉夫·巴布卡,約瑟夫·貝克,Karel,Belohradsky,Bozena,B?hmová,尼娜·蒂維斯科娃,Josef,Elsner,Josef,R.,Engel,科維塔·菲亞洛娃,Ladislav,Gzela,Karel,Hovorka,弗拉迪米爾·赫拉巴內(nèi)克,伊日·哈萊克,Vladimir,Jedenáctik,Pavel,Jiras,Jan,Kacer,Václav,Kotva,伊里·里拉,雅羅斯拉夫·馬雷什,Josefa,Pechlatová,伊里·普拉希,Ljuba,Sko等優(yōu)秀演員陣容的第七日，第八夜，將1969 年度其它 語系與 其它 文化完美交融，帶來一場與眾不同的視覺和聽覺盛宴。
值得一提的是，該片在上映后迅速收獲了平均分更是高達(dá)5.0。這都印證了影片優(yōu)秀品質(zhì)與廣泛認(rèn)可度。
影片所呈現(xiàn)的This apocalyptic parable carries within it a clear echo of the 1968 invasion of Czechoslovakia. Th僅僅是個引子，真正的故事魅力還需從This apocalyptic parable carries within it a clear echo of the 1968 invasion of Czechoslovakia. This unforgiving exploration of the Czech mentality tells the tale of a troupe of wandering actors who perform a passion play in some unnamed village. Fear of some unknown danger breaks out in the village, which is cut off from the surrounding world. Stupidity, selfishness and aggressiveness then come to the surface in this society under threat. In the film's key scene, a woman is raped by the self-styled leader. Zdenuk Mahler, who would later work on Forman's examination Mozart Amadeus, worked on the script. The director Evald Schorm (1929-1988) was one of the most original members of the Czech New Wave. During the normalization era, Schorm spent many years unable to direct. His last film, Killing with Kindness (1988) was only made in the twilight years of Communism. During that period when he was unable to direct films, he became an outstanding stage director. He directed groundbreaking productions at the Na zábradlí Theater and Laterna Magika.中細(xì)細(xì)品味——不論是扣人心弦的劇情設(shè)計(jì)，還是對于人性、情感、社會話題的探討，都給人留下頗為深刻的印象。同時，導(dǎo)演在幕后方面也注入了大量巧思，讓整部作品更加耐人尋味。
如果你對電影 或 劇情 題材情有獨(dú)鐘，《第七日，第八夜》無疑是一個不容錯過的選擇。歡迎走進(jìn)它的世界，感受時長約的宏大篇章，在這里，你將邂逅驚喜、震撼與思考。
更多關(guān)于 等劇情亮點(diǎn)，敬請?jiān)?juqingpian 圈層內(nèi)持續(xù)關(guān)注。讓我們共同見證這部佳作帶來的全新沖擊！
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