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歡迎來(lái)到《第七日，第八夜》的在線播放頁(yè)面！這部劇情片作品由埃瓦爾德·朔爾姆執(zhí)導(dǎo)，攜手揚(yáng)·利比切克,瓦茨拉夫·巴布卡,約瑟夫·貝克,Karel,Belohradsky,Bozena,B?hmová,尼娜·蒂維斯科娃,Josef,Elsner,Josef,R.,Engel,科維塔·菲亞洛娃,Ladislav,Gzela,Karel,Hovorka,弗拉迪米爾·赫拉巴內(nèi)克,伊日·哈萊克,Vladimir,Jedenáctik,Pavel,Jiras,Jan,Kacer,Václav,Kotva,伊里·里拉,雅羅斯拉夫·馬雷什,Josefa,Pechlatová,伊里·普拉希,Ljuba,Sko等實(shí)力陣容傾情演繹，于1969年帶給觀眾別具一格的視聽感受。如今，你可以在此一鍵開啟精彩之旅。
關(guān)于本片更完整的劇情或幕后信息，可前往“詳情介紹”頁(yè)面查看This apocalyptic parable carries within it a clear echo of the 1968 invasion of Czechoslovakia. This unforgiving exploration of the Czech mentality tells the tale of a troupe of wandering actors who perform a passion play in some unnamed village. Fear of some unknown danger breaks out in the village, which is cut off from the surrounding world. Stupidity, selfishness and aggressiveness then come to the surface in this society under threat. In the film's key scene, a woman is raped by the self-styled leader. Zdenuk Mahler, who would later work on Forman's examination Mozart Amadeus, worked on the script. The director Evald Schorm (1929-1988) was one of the most original members of the Czech New Wave. During the normalization era, Schorm spent many years unable to direct. His last film, Killing with Kindness (1988) was only made in the twilight years of Communism. During that period when he was unable to direct films, he became an outstanding stage director. He directed groundbreaking productions at the Na zábradlí Theater and Laterna Magika.，深入了解角色命運(yùn)及創(chuàng)作歷程。
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